Billy Johnson wants to be an archeology explorer like his parents were, So he embarks on different journeys to find lost items, he is accompanied by Barrace who is a talking duck and a university professor. I had no idea what to expect when I began this comic book and yet for some reason the more I read this, the more I got a kick out of it. Thanks to Capstone and NetGalley for a free ARC in return for my honest review. If you love comics this is a good read! 😊 This story is adorable, inspiring, and adventurous. I love that they push forward no matter what other people say. I love that Billy has a best friend who is always beside, encouraging him to motivate and inspire. They are being transported to different places for their trials. This adventure is cooler than the preceding one. It’s cute when Billy said he wants to be remembered which I think we all do. I’m still not sure what it is but it sure is mysterious. Then Billy found that thing he found from the Hidden Monkey Kingdom. Billy found a magic lamp that he first use for food. Their next adventure is to find an atlast bear in the desert. It seems like someone is interested with Billy. The lady that they met seems like an acquaintance, I event thought she was male. The second adventure is about finding the ghost King’s ring inside a tomb. I thought it will be more lively but that just happened. The first adventure is about finding a hidden monkey kingdom. Billy Johnson is a brave kid and the weirder and scarier the place is the more adventurous it is to him. They are complicated for a teenager like him but they did overcome them. It’s cute since they both can communicate each other. It’s a story of a teenager name “Billy Johnson” and a duck who can talk named “Barrace”. There are no easy answers or explanations, but Beaton guides readers to a greater understanding of the complexity and our place within it in a transformational work of profound beauty.“Do you know what it feels like to want something so bad for so long but know that no one thinks you’ll ever be good enough?” Ultimately, it's Beaton's honest approach and unwillingness to moralize that provides a nuanced depiction of the most dangerous forces threatening new generations coming of age in the 21st century. Readers are compelled to look past simple distinctions of hero and villain to recognize themselves and their loved ones in these specific depictions. Even as it roams across many sites, each with their own set of employees, Beaton never loses track of any individual's humanity.
Her ability to zoom in and out of such complex systems applies to the narrative as well. Beaton's artwork ranges from familiar, focused comedic beats capturing small moments of daily life to vast, detailed depictions of western Canada's natural beauty and the industrial forces morphing that landscape.
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